An archive of News, Events, Teacher's Corner blog posts, and In The News notes that are tagged with the subject of "al-bustan"

Iraqi Narratives in Video

July 2009

On some level, it makes complete sense.  The Palestinian American teenager in our video class this summer at Al-Bustan Camp volunteered to play the part.  The group had decided as part of their video to reenact a young Iraqi girl’s experience of American troops invading her home at night.  There was something in that story, and that lived experience, that our teenage actress could relate to intuitively, even though she was growing up in Philadelphia. She knew these kinds of stories.

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Katherine (in center) with teen campers during discussion with Iraqi guest (at far left)

By the end of the three-week video class, we all knew these stories.  Focusing on the multifaceted history of Iraq this summer, we discussed poetry by Iraqi poets like Dunya Mikhail and Saadi Youssef; interviews with Iraqi refugees; film clips; and Arab American hip hop.  It became clear that the American occupation of Iraq was a theme the teens really wanted to explore – along with its rich history and heritage.  Maybe this has to do with the teenage flare for the dramatic – but I think it has to do with their sensitivity and need to really engage with the difficult issues of their society.

We found that listening to two of Al-Bustan’s counselors’ stories about life in Iraq, before recently coming here as refugees, sank in much more than any historical essay or BBC report could have.  A picture emerged in the process of making this video that came out of a place deeper than that semi-conscious rumbling of headlines and statistics we ingest about Iraq from the TV and radio.  It came out of a place of personal engagement and empathy.

I know that for me, the personal engagement with these stories this summer at times could be hard to bear.  Still, the spirit of the people we met and the poetry we read from Iraq, was anything but depressing- despite the political situation there now.  But, in order for the future to be better, the difficulties of the past and the present have to be confronted. Confronted, and transformed.

Making and re-making these stories with their own hands, the teens depicted their thoughts on Iraq in a way much more meaningful than the depressing vision of Iraq blasted over the news daily.  The stories became alive in their minds in a new way.

I hope that this ability to visualize and empathize will carry and guide these bright teens in their need to understand and act in a world that will be theirs.

- Katherine Toukhy, Video Facilitator

Teaching Arabic at Camp

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Brahim teaches Arabic to teenagers at Al-Bustan Camp.

July 2009

Teaching at Al-Bustan Camp was a transformative and instructive experience for me this summer.  It was amazing to work with these multi-national children and youth whose parents are from all four corners of the world.  Every one of them came with his/her cultural traditions and linguistic background; but they all had one thing in common, their American identity.  They shared their American citizenship.  They also shared English language as their daily language of communication with variant degrees of use of their parents’ mother tongues.  As I was working with them, I wondered how my own future children would be, of how they would relate to their parent’s American and Moroccan identities.

As for my students, I believe that the camp was an opportunity for them to open their minds and accept the other.  Christian, Jewish and Muslim youth being together for three weeks in an Arab environment is unique and happens very few times in a person’s life.   They learned how to love, accept,, and communicate with each other.  These youth might go to the same independent or public school but they are unlikely to experience anywhere else the kind of environment fostered  by Al-Bustan.

The camp was a transformative experienProxy-Connection: keep-alive
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for me because I learned a lot about the importance of art, drama and music in shaping young people’s culture and identity.  It was very interesting to see the children sing Arabic songs, dance to Egyptian and Iraqi music, and play out Ibn Al-Haytham’s life story.  Most of all, they related deeply to what they were doing.  I learned that the arts are one of the best keys to enter people’s hearts and minds and teach them softly about Arab culture.

The camp was an instructive experience for me because it is different from all the environments in which I have worked throughout my ten years as a teacher.  At certain times, I was wishing that all the schools were summer camps like Al-Bustan’s where kids could have the freedom to learn in a different way.  Chasing Ibn Al-Haytham and trying to retrace his life and reconstruct its fragments so that all the campers could vicariously travel from Iraq to Egypt in a different period of time was challenging but very motivating to find ways to make the campers comfortable and eager to learn more.

I see parallels in Al-Bustan Camp bringing light to all our lives as Ibn Al-Haytham brought light to the world.  In the same way Ibn Al-Haytham found out the way light reflects into our eyes and we can see, I can say that the light Al-Bustan Camp brought to the lives of these youth and their parents is the light of knowing the other.  The real light Ibn Al-Haytham brought to our life is the light of seeing the beauty of difference in the campers’ eyes.  It is amazing that a man who developed light theory died in Egypt long ago but his legacy continues to shed light on us here in America, a thousand years after his death.

Overall, I think that this experience would not have been as transformative, enriching, nor instructive without the great team of teachers and counselors that Al-Bustan hired for the camp. It was a unique collective experience in which I feel that everyone put a little piece of their heart.

Al-Bustan Camp was definitely one the greatest multi-cultural events of my life and I feel honored to have been a part of this year’s camp.

- Brahim El Gabli, Arabic Teacher

June 21: Sunrise with Al-Bustan Percussion Ensemble at Kimmel Center

Percussion Ensemble Performs at GAMP School, May 2009

Members of Percussion Ensemble perform at GAMP School, May 2009

Al-Bustan Percussion Ensemble Closes the

Kimmel Center’s Annual Summer Solstice Celebration

Sunday, June 21, 2009 5AM

B.Y.O.D. (Bring Your Own Drum)

Under the leadership of Hafez Ali El-Kotain, Al-Bustan’s Percussion Ensemble welcomes the summer with fellow Philadelphians.  The talented drummers will lead the break-of-dawn drum circle at the Kimmel Center’s Solstice Celebration, ending fifteen hours of continuous performances that begin on Saturday.

Wake up – or end your night – with our teens  as they greet the daybreak and welcome summer with percussive panache.

5:00 AM (not always their best time of day…) at  Kimmel Center’s Commonwealth Plaza, Broad and Spruce Streets, Philadelphia.

Sand Pails Used as Drums at 2008 Solstice Celebration

The Bulletin highlights Arab Arts & Heritage Celebration

Students from John Moffet Elementary School prepare for a percussion performance at the Arab Arts and Heritage Celebration last year.

Students from John Moffet Elementary School prepare for a percussion performance at the Arab Arts and Heritage Celebration last year.

A View of the Arab World Through Art

by Erin Maguire, The Bulletin
published May 19, 2009

More than 200 students from seven city schools will showcase Arab culture in the form of dance, poetry, music and art Thursday, at the School District of Philadelphia’s atrium on 440 N. Broad St. from 11:15 a.m. until 1:15 p.m. The program is the second annual Arab Arts and Heritage Celebration, presented by Al-Bustan Seeds of Culture and the School District of Philadelphia. It is free and open to the public, and attendees will have the chance to drink Arab coffee and meet with students in sessions following the event.

Dennis Creedon, the administrator of the School District’s Office of Comprehensive Arts Education, and Hazami Sayed, Al-Bustan’s executive director, will open the event, which will begin with a 4-minute video highlighting Palestinian poet Naomi Shihab Nye’s February visit to Philadelphia schools. Students were encouraged through reading Ms. Nye’s poetry to explore their own heritages and express themselves through art. Ms. Nye’s work — which served as the catalyst for this year’s Arab Arts and Heritage Celebration — has a diverse intended audience,  from children to adults, and centers on the universal themes of heritage and peace.

Click here for the full article.

April 15 – May 13: Pilot Strings Program in Arab Music

On April15, Al-Bustan begins a pilot series of workshops that offer group instruction in Arab string music, taught by Hanna Khoury.  Students will learn to play two or more pieces of Arab classical music.

This workshop is designed for teen and adult violinists, violists, and cellists playing at intermediate to advanced levels. It is a great opportunity for interested musicians to broaden their understanding of world music forms, notation, styles, and cultural traditions.

  • April 15, 22, 29, and May 6, plus short recital on May 13, 2009
  • Time:  7-9:00pm
  • Location:  Grreenfield Intercultural Center (GIC) at U-Penn, 3708 Chestnut Street, West Philadephia
  • Fee:  sliding scale of $75 to $100 for 5 sessions

Violin virtuoso Hanna Khoury is trained in both Western classical and Arabic classical music styles. As the music director of the Arabesque Music Ensemble, Khoury has led nationwide tours performing traditional Arabic music in major venues and universities.

Khoury performs frequently with cello player Ohad Bar David and Intercultural Journey. Recent performances include concerts with the Philadelphia Symphony Orchestra.

As principal violinist of the West East Divan Orchestra Workshop under the direction of Daniel Barenboim, Khoury has performed numerous tours with world-class artists and musicians, including cellist Yo-Yo Ma. He has also collaborated with members of the Staatskapelle Berlin for concerts in Malta and Israel.  He currently performs with the Harrsiburg Symphony and Lancaster Symphony.

Khoury recently toured with Lebanese superstar Fairuz and played lead violin with Iraqi singer Kazem Al-Saher, and grammy winner Youssu NDour.  In addition, Hanna has recorded violin solo and strings for the grammy nominated song Beautiful Liar featuring Shakira and Beyonce.  He has also recorded strings for Shakira’s grammy performance Hips Don’t Lie.  Khoury can also be heard on the song Love and Compassion featuring Kazem Al-Saher and Paula Cole.

Khoury is the recipient of the America Israel Scholarship and Qattan Foundation Award.  He graduated Magna Cum-Laude with departmental honors from UCLA with a Bachelors in Economics and another in music performance, and obtained his Masters degree in music from Temple University.

To sign-up, call Al-Bustan at 267-809-3668 or email us.