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The Art of Geometry at NEHS

As part of Al-Bustan’s continued partnership with Northeast High School, we offered a visual art residency funded in part by the School District of Philadelphia’s Department of Comprehensive Arts Education and Philadelphia Arts in Education Partnership (which is funded by the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts, a federal agency).

Teaching Artist Tremain Smith led a series of 14 classes with two groups of high school students. One group was an ESOL class with NEHS teacher Patricia Ryan and other group was an Art class with NEHS teacher Harmony Thompson.

Students learned about the principles of Arab/Islamic art. They first mastered the geometry of the square and the octagon with the tools of pencil, compass and straightedge, then created a grid from overlapping circles. They worked collectively to create two panels of encaustic painting using four and eight-point geometric constructions. One group incorporated language characters and arabesque forms into the geometric design, and carved the word “Peace” into the wax (written in every language represented by the students) and rubbed oil paint into the incised marks. Their compositions repeat the eight-point star to form a cross & star pattern often referred to as “The Breath of the Compassionate”. Encaustic is an ancient technique of painting using hot beeswax & pigment. The students worked together to build up the layers using wax and squares of colored paper. Their final layer consists of encaustic paint (pigmented wax) filling the crosses in a seven-color design. Their artwork is made up of the elements of line, shape, color and represent the principles of unity, repetition, rhythm and balance.

The panels will be hung in NEHS hallways — a wonderful testament to the beautiful, creative efforts of the students, under the guidance of Tremain Smith and the support of their teachers. BIG Thanks to all those you who participated and supported this effort!

See photos of the progression of their art-making…

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Al-Bustan Receives Knight Foundation Grant

National Arab American Service Day

On Saturday, May 14, over 60 volunteers descended upon Northeast High School for National Arab American Service Day. This day is a nation-wide initiative of ACCESS (Arab Community Center for Economic and Social Services) and National Network of Arab American Communities (NNAAC).

For the past six years NNAAC has facilitated Arab American Service Day as part of the AmeriCorps National Program, and AmeriCorps members across the country organize this massive volunteer effort. Al-Bustan currently has two AmeriCorps members who helped organize and implement this year’s service day at Northeast High: Musa Hamideh and Miranda Bennett.

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In partnership with the Philadelphia Arab American Community Development Corporation, the Network of Arab American Professionals-Philadelphia Chapter, Northeast High School administration, and Philadelphia SHARE, volunteers spent the day beautifying and replanting the vegetable garden in the NEHS Alumni Courtyard. Materials for the day were sourced from Philadelphia SHARE, an organization that provides discounted groceries to low income communities, as well as tackling a new initiative to act as a resource for the development of local urban gardens.

Drawing inspiration from the flora of the Levant (Blad Al-Sham in Arabic), volunteers from students in the ESOL program at NEHS helped plant tomatoes, eggplants, pumpkins, cucumbers, sweet peppers and a plethora of herbs such as thyme, oregano, mint, and parsley. Since a large contingency of the students who volunteered were of Chinese descent, activities were led in which students translated the name of each vegetable into Arabic, English, and Mandarin Chinese, creating labels to identify each vegetable.

All in all, the service day was a resounding success. We were able to pull over 20 garbage bags full of weeds, and plant a vegetable garden in a plot that had been unused for years. The vegetables planted will be harvested in the late summer, and the proceeds will go to local food cupboards and/or soup kitchens for the betterment of the surrounding community.

Without the hard work and dedication of so many, including Bill Shick of SHARE, Zeina El-Halabi and Wiam Mutan of the Arab American CDC, and Rob Caroselli and Chris Riley of Northeast High School, this amazing effort would not have been possible. Thanks so everyone!

Writing Injustice

April 2011

The ability for individuals to express themselves freely is a primary ingredient to effective education. This is why the arts in particular are such a force in education, and why many are actively fighting for our children’s right to artistic self-expression in school.  The creative vitality of our youth is dependent on their ability to intellectually connect with art forms validated in school, popular culture, and elsewhere.

Q&A with Chakaki, Wattad, and Gonzales after "Brooklyn Beats to Beirut Streets" at UPenn Museum

Traditionally, Hip-hop in its variety of forms has been seen as a cultural force working in opposition to positive social and academic achievement.  Hip-hop is often characterized by media pundits as inherently misogynist, materialist, and concerned not with the ills of the world, but instead only personal gain.  In this pursuit of inflammatory headlines, the media actively ignores the tremendous potential for hip-hop as a force for social change.  And it is this potential that The Human Writes Project wishes to utilize.

The Human Writes Project, comprised of Mexican-American poet/educator Mark Gonzales, Syrian-American MC/architect Omar Chakaki, and Palestinian-American MC/writer Nizar Wattad, is a presentation in spoken word that traces the personal development of the artists alongside hip-hop’s development as an art form.  Touching on many diverse issues such as growing up ‘other’ in the United States, personal trauma, and 9/11, they performed in Philadelphia on March 31, in the morning at North East High School, and in the afternoon at University of Pennsylvania.

“Hip hop was born in 1975…and so was I,” begins Mark Gonzales, before tracing landmark moments in his life in conjunction with hip hop, and in doing so, uses spoken word and rap as an effective means of self exploration.  As the three artists mature in their personal and professional lives, hip-hop grows from a little known musical genre to the most popular genre amongst youth in the world.  This interplay between their personal journey and the journey of hip-hop was one of the most engaging parts of the performance, and speaks to the universality hip-hop can have in giving voice to the voiceless.  The title of the performance, Brooklyn Beats to Beirut Streets, reflects this universality as Hip-Hop is adopted by people all over the world as a language of resistance.

In the cause of social justice, Gonzales, Wattad, and Chakaki see hip-hop as providing a foundation for resistance to the ongoing oppression of indigenous peoples everywhere, and their own identities are intertwined in this presentation.  Be it the tragedy of the Chicano people, who are vilified in public discourse as “illegal aliens” in an area historically connected to both their people and culture, or the Palestinian people, whose ongoing ethnic cleansing is a humanitarian crisis 60 years in the making.

Northeast High was an especially pertinent location to hold such a workshop: as the largest and most diverse high school in Philadelphia county, the audience consisted of primarily recent immigrants, or the children of recent immigrants.  Instead of monopolizing the performance, the artists also created a safe space for students and adults to perform their own work impromptu.

Ultimately, the goal that hip-hop and spoken word in an educational context works toward is that of self-definition.  It is the work of narratives, empowering students to write their own in a world where the media and politicians increasingly monopolize the power to narrate.  And through challenging these narratives, people find ways to forge a future that is better for those around us.  Mark best sums up this sentiment in the last line of the performance:

So mothers fall asleep to the beats of bones crumbling and children give new meaning to the words head knocking and body rocking while praying to Allah for one night’s good sleep.  We must learn that we have infinitely better rhythms that we can learn to dance to.

- Musa Hamideh, Program Assistant

A Day of Poetry and Hip-Hop

A Most Memorable Concert with Marcel Khalife

Human Rights Project in The Daily Pennsylvanian

Poetry and Music at Northeast High School

What an amazing week we had hosting Nathalie Handal in Philadelphia!

An award-winning Palestinian poet/writer who has lived in four continents, Nathalie Handal creatively engaged the students at Northeast High School who hail from all parts of the world — from Belarus, Ukraine, Poland, Vietnam, Philippines, Pakistan, Albania, to Palestine, Iraq, Egypt, El Salvador and Haiti, to name a few! — it’s the largest public school in the Philadelphia district, with about 3,600 students.

Al-Bustan invited Handal, with the support of the Middle East Center of University of Pennsylvania, for a poetry residency in November 2010. She spent five days leading poetry writing workshops with sixty 10th and 12th grade students. It was fascinating to watch her move from table to table and work collectively and individually with the students. While the students had different levels of interest and ability in writing and appreciating poetry, Handal was able to engage all of them, scaffold their learning of what poetry writing entails, and pique their interest in the subject.

Handal began her work with the students with simple, concrete tasks that were within the ability range of all. She asked students to write postcards to or from their countries, or to countries they have been to, or want to visit.  This gave them the opportunity to write something short and concrete and more accessible to their different abilities.  Some of their short writings grew into longer, more complex pieces.  One student’s reflection grew into the poem he recited at the culminating performance, where he wrote a letter to Egypt describing how his native Haiti had much in common with Egypt.

Handal artfully led students in their writing expeditions by asking them guiding questions such as “Is there a member of your family that told stories?”. . .“Where in the house were those stories told?”. . .“What is something, an object in your house that reminds you of where you’re from?. . .Of home?” Students wrote short answers to these pointed questions, and eventually these answers became seeds to meaningful individual and group poems.  In this process, students shared something of themselves, wrote about their families, communities, and more importantly about “home.”

Over the course of her residency, Handal read some of her poems and shared her own experiences as a Palestinian, an Arab, and a citizen of the world.  It was apparent from their preliminary conversations that the students’ understanding of Arabs and Muslims were varied, cursory and somewhat fractured.  On her first day with them, Handal asked what they know about Muslims. Their responses spoke of Muslims’ religious practices such as “they pray five times a day”, they “don’t eat pork”, and that they “pray to the same God as we all do.”  When asked what comes to mind when they think of Islam, they responded with the predominant imagery of people in the Middle East, rather than images of Muslims all over the world, including the large community of African American Muslims in Philadelphia. Handal’s work with the students allowed them to think more broadly and thoughtfully, to share something of themselves, while also learning about the nuances of Arab people and their culture.

The week culminated at the school with a performance of music and poetry presented in partnership with Intercultural Journeys. IJ artistic director Udi Bar-David (cello) led Hanna Khoury (violin) and Hafez El Ali Kotain (percussion) in a medley of music from the Arab, Jewish and African American traditions. Handal presented several of her poems with musical accompaniment.  Nine of the young NEHS poets recited poems that spoke about their homelands, their identity, and their yearning for “home.”  Students who shared their pieces were from Belarus, Haiti, El Salvador, Palestine, Pakistan, and Albania.  One Albanian girl read her poem in English and a Haitian boy read the translation in his native tongue, Creole.  Two Palestinian girls read a poem dedicated to their fathers, speaking about the difficulty of navigating life without the presence and guidance of their fathers — one of whom has passed away and the other is working overseas.  As the girls walked off the stage, one of them was wiping tears off her face.  A Pakistani student recited a poem about the many aspects of her life, which include prayer, family, school and home. Overall, the poems were personal, moving and reflected each student’s talents, as well as Handal’s talent in teaching and guiding them through this week-long poetry journey.

See some photos highlights of the week. . . and stay tuned for completion of an anthology of the students’ poems. You can see press coverage of the performance in WHYY’s Newsworks.

We are so grateful for Nathalie Handal’s time, dedication, and ability to inspire so many youth. And we greatly thank the administrators and teachers at Northeast High School, as well as the board and musicians of Intercultural Journeys, for their partnership.

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Al-Bustan featured on WHYY TV

Post-November 2010 Update:
Watch WHYY TV’s archived episode featuring Al-Bustan’s Philadelphia Arab Music Ensemble with Simon Shaheen (Chapter 4)

Watch the full episode. See more Friday Arts.

Watch WHYY’s 6.5-minute segment produced by Karen Smyles about Al-Bustan Camp 2010:


* * * * * * *

Al-Bustan programs are featured on WHYY TV’s Friday Arts in November 2010!

In two nicely produced segments, Karen Smyles showcases our program in Spring 2010 with acclaimed musician/composer Simon Shaheen, and our summer camp program in July 2010.

Have a look on Friday Arts website and on WHYY TV – see schedule of November TV screenings.

Thanks to the WHYY team for their interest and wonderful presentation!

Bayoumi speaks to the “Souls of Arab Folk”

Moustafa Bayoumi talks to students at Northeast High School.

On October 7, Al-Bustan hosted Moustafa Bayoumi in Philadelphia to speak about his book How Does it Feel to Be a Problem? Being Young and Arab in America.  Bayoumi was invited by Germantown Friends School (GFS) and Northeast High School (NEHS) to speak with high school students about themes from his book, which tells the stories of seven Arab Americans living in Brooklyn and their experiences shortly after 9/11.  A highly engaging speaker, Bayoumi used humor and wit, mixed with his natural ability at weaving a range of compelling true stories, to easily captivate the attention of the high schoolers.

In 2005 he began compiling stories for his book, which includes the experience of Rasha, a 19-year-old Syrian who immigrated to the United States when she was 2, only to find herself and her family arrested in the middle of the night by American immigration authorities and jailed for three months.  And the story of Sami, a Christian Arab who enlisted in the military and was on his way to combat training on the night of September 10, 2001 without much thought of being deployed, only to find himself doing two tours in Iraq.  These stories and others serve to show the nuances of the Arab American experience, the different ways in which “being a problem” manifests itself in our society, as Bayoumi references W.E.B. Du Bois’ classic “The Souls of Black Folk: How does it feel to be a problem?” from a century ago, and explores what being American means today.

As a book rooted in place, the setting of Bayoumi’s stories forms an integral component of the historical moment in which he writes.  “Brooklyn,” Bayoumi opines, “is the concentrated, unedited, twenty-first-century answer to who we, as Americans, are as a people.”

GFS had just finished reading Zeitoun, a true story narrated by Dave Eggers, about Abdelrahman Zeitoun’s heroic actions during Hurricane Katrina and the subsequent difficulties he faces as an Arab/Muslim American. The students and teachers at GFS asked a wide range of questions, from inquiries about Bayoumi’s thoughts on the current discourse surrounding Islam and the development of an interfaith community center near Ground Zero, to a poignant question of “Do you think you would have been able to write this book if you weren’t Arab?”  His answer to the latter was particularly interesting given the difficulties the Arab American community has faced in the wake of 9/11.  “I would have been able,” he said, “but it would have taken much longer to earn the trust of the community.”  He explained that after the attacks, fears of the F.B.I, who used confidential informants, undercover officers, and ambiguous immigration law, kept many in the Arab American community fearful of curious outsiders.  He had to work overtime to gain the trust of the community, noting it was certainly easier as an Arab, but it would not have been impossible if he weren’t — perhaps similar to David Eggers’ ability to write the story of one family.

Northeast High School presented a counterpoint to the discussions at GFS, an independent Quaker school.  NEHS is the largest public high school in Philadelphia County, and almost every immigrant community present in Philadelphia is represented there.  This includes a significant Palestinian and Iraqi immigrant community among those of Arab heritage.  Moustafa gave his talk in the school library to students who were reading his book as part of an ESOL book club and International Baccalaureate class.  It was a rare opportunity for many of the students to have access to the author of an acclaimed book, and many were awestruck as they sat and listened to his engaging talk.  They asked questions pertaining to identity and commented on how they found their own life experiences affirmed by the book.  After the talk, many students introduced themselves to Bayoumi with their names and their country of origin and eagerly asked him to sign their books.  In this diverse setting, Moustafa made a point of describing the impact of writing in understanding other people and their struggles.  “The best way to learn about someone else’s experience is to write about it from their perspective.”  He spoke of how writing can humanize a person in a way that other art forms simply cannot replicate.  The active experience of listening to another, really listening, rather than talking past one another, makes one able to more clearly understand the experience of the other.  He ended his talk by encouraging the students to write about themselves, other people, and to ask important questions and turn them into stories.

After the two high school talks, there was a bit of time to relax before Bayoumi’s last presentation at the University of Pennsylvania, which was co-presented by the Middle East Center, Greenfield Intercultural Center, English Department, PASS, and MSA. He spoke about his book to an audience of thirty-five, including students, staff, and interested community members.  Since most of the attendees had not yet read his book, he discussed his writing process and provided anecdotes as windows into his experience.  Some anecdotes were humorous, such as his story about the Imam of the mosque who asked for a meeting with him, only to find out that the Imam was trying to set him up with a wife.  But as complex stories grounded in reality go, there is also the heartbreaking.  He recounted interviewing Rasha about her experiences and how she was haunted by humiliation and guilt despite the years that had passed.  Or how Sami came back from the war in Iraq only to discover that in spite of his experiences there, his identity as an Arab was now more solidified, although this came at a price, as other Arab Americans had trouble accepting another who had fought in a war they were strongly opposed to.

The uniqueness of each story that Bayoumi tells makes it difficult to talk about the Arab American experience in any monolithic way.  What unites these incredibly varied and nuanced moments is the question the title asks.  How does it feel to be a problem? finds resonance in each story, as Rasha, Sami, Akram, Yasmin, Lina, Omar and Rami grapple with this dilemma in a different way.  What unifies their experiences is the way their complex existence is increasingly problematized in a society that has expressed indifference to finding a place for them. Bayoumi’s book goes a long way towards “lifting the veil,” in the words of Dubois, over this often misunderstood and wrongly maligned community.